The Importance of Being Earnest Essay
The
fabricated emphasis of the portrayal of the Victorian Era’s high class is
implicitly revealed through Oscar Wilde’s diction and syntax. Throughout the
play “The Importance of Being Earnest”, Oscar Wilde portrays and disdains the high
class of the Victorian society through the theme of self-identification, utilization
of irony, a mock-serious tone of understatement, and condescending
characterization throughout the play.
The theme
of self-identity is demonstrated. In Act 1, it is discovered that Jack does not
know his lineage and creates an alter identity by the name of Ernest. Also
Algernon develops a false identity named Bunbury to be an excuse for Algernon’s
boredom with being in town. Through
Jack’s alter ego, Wilde implicitly depicts the high- class to consist of
social-distortion and not retain an identity, but to simply manifest an
identity for self-fulfillment. Jack and Algernon’s fake manifestation of
non-existent individuals are an example of social-distortion within the
high-class of the Victorian Era.
Throughout the acts irony is often
applied. In Act 1, Jack proposes to
Gwendolyn as Ernest and she states she always wanted to marry someone named
Ernest. In Act 2, Algernon proposes to Cecily as Ernest and she also states she
wanted to marry someone named Ernest. Both Jack and Algernon are neither Ernest
nor earnest and therefore depict a deceiving character which reflects on the
high-class as gullible and untruthful. The proposals of the “Ernest’s”
portrayed the unsophisticated and manipulative side of the high-class
individuals. Irony is also portrayed in
Act 3 as Jack discovers his real name is Ernest and is Algernon’s older brother.
Jack’s self-discovery brings a new innovative meaning to the cliché “ignorance
is bliss” to “ignorance is revealing” as Jack’s ignorance revealed Wilde’s
depiction of high-class individuals being blindly perceptive.
A mock-serious tone of understatement
is utilized in several aspects of the play. Though there are minor brotherly
quarrels, Jack and Algernon’s disagreement of a cigarette case in Act 1 and argument
pertaining to muffins in Act 2. Wilde’s implicit perspective is that the
high-class can afford to argue over small, petty matters and reveals a small
sense of greed and materialism. Also in Act 2, Gwendolyn rejects sugar in her
tea and tea cake as it is “not fashionable nowadays,” but Cecily later hands
both to her to create an implied insult. Cecily handing both unwanted goods to
Gwendolyn proved Cecily indirectly defamed Gwendolyn as not fashionable,
supporting Wilde’s perception that wealthy people are concerned with mainstream
matters instead of sophisticated concerns. Minor conflicts can obtain
understated implications and interpretations.
In the play condescending
characterization occurs in Lady Bracknell as she looks down on Jack’s character
and worthiness of being married to her daughter Gwendolyn since Jack does not
know his lineage and was found in a hand bag. Lady Bracknell’s characterization
is a supporting view point in Wilde’s perception of the wealthy that the
wealthy are narrow-minded and intolerant of other social classes especially if
unknown and suspected to be lower- classmen. Lady Bracknell’s character
portrayal is an implication of Wilde’s perspective of the wealthy.
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